survival poem #17 // marty mcconnell
because this is what you do. get up.
blame the liquor for the heaviness. call in late
to work. go to the couch because the bed
is too empty. watch people scream about love
on Jerry Springer. count the ways
it could be worse. it could be last week
when the missing got so big
you wrote him a letter
and sent it. it could be yesterday, no work
to go to, whole day looming.
it could be last month
or the month before, when you still
thought maybe. still carried plans
around with you like talismans.
you could have kissed him last night.
could have gone home with him, given in,
cried after, softly, face to the wall, his heavy arm
around you, hand on your stomach, rubbing.
shower. remember your body. water
hotter than you can stand. sit
on the shower floor. the word
devastated ringing the tub. buildings
collapsed into themselves. ribs
caving toward the spine. recite
the strongest poem you know. a spell
against the lonely that gets you
in crowds and on three hours’ sleep.
wonder where the gods are now.
get up. because death is not
an alternative. because this is what you do.
air like soup, move. door, hallway, room.
pants, socks, shoes. sweater. coat. cold.
wish you were a bird. remember you
are not you, now. you are you
a year from now. how does that
woman walk? she is not sick or sad.
doesn’t even remember today.
has been to Europe. what song
is she humming? now. right now.
Sarah Manguso; Address to an absent lover
Reblog from the past.
the unfinished suicides of my high school sweetheart // shira erlichman
We were platonic high school sweethearts that fucked in the front seat
without touching and with our eyes open the whole time.
Our questions locked at the genitals like children to bicycles.
Our distant tongues sparked like forks dreaming of sockets.
We were virgin high school sweethearts that fucked with the seatbelts on
and the headlights blazing, daring passing drivers to stop and peek,
challenging cops to pull over beside us and question how safe our conversation was.
We theorized about masturbation, weed, (and the combination), football players,
our parents, Bone Thugs’ rapping techniques,
and what percentage of wrong was it to think of someone else while getting head.
We could achieve orgiastic ecstasy on a pile of purple sweatpants.
Our bodies fit together without being in one another.
We were music.
We were honest.
And that is something World Leaders are too scared to touch.
And we got angry. We got scared.
And we weren’t enough for each other.
And we were lovers.
It’s true: you were a man and I was a woman and the birds didn’t care,
and the bees stung the both of us,
but the level of intimacy made slobbering couples at school seem like
they had the attention spans of goldfish.
We were Red Rock meets blue sky of Arizona boldness,
depth of mountains the color of dried blood.
You told me you wanted to die.
Parked outside my parents’ house, asked what kept me living.
I told you my brother’s name but you only had sisters.
You said it would be easy.
One acquaintance away from getting a gun.
Knew someone who knew someone.
You were inches from releasing your feet from under the rope around your neck
and I was there, and I wasn’t.
You were scattered to red needles across the sheet of your chest
and you were only a decision away from a vertical slice
that opened the drawers of blood inside you until you were empty.
How could I tell you: you never wear sunglasses and I like that about you.
You look like a muppet and that alone still makes me smile.
You are curious yet patient.
You never make me feel ugly, gendered or crazy and that is huge.
This is friendship I keep in a drawer I will never unhinge
and spill out.
I felt you tremor from across the cup-holder
as a closed door on the left side of your chest rattled,
which must have been frightening
because the days were all empty rooms you waited in,
and the women were laughter that lived outside your walls,
and the men were impossible to be.
Jake, you look at me like I belong only in my skin,
and you ask questions, which is the biggest compliment anyone can receive.
So in the car we’re constantly in, outside our parents’ houses,
I swallow your keys to prove my commitment to finding a new way,
another road, a life you can live with.
Richard Siken (via zaidikidogo)
Even when he’s not writing poetry, he manages to use all the right words in the right order.
n. the sadness that you’ll never really know what other people think of you, whether good, bad or if at all—that although we reflect on each other with the sharpness of a mirror, our reflections end up looking softened and distorted, as if each mirror was secretly preoccupied with twisting around, desperately trying to look itself in the eye.
no goodbyes - Paul Monette
for hours at the end I kissed your temple stroked
your hair and sniffed it it smelled so clean we’d
washed it Saturday night when the fever broke
as if there was always the perfect thing to do
to be alive for years I’d breathe your hair
when I came to bed late it was such pure you
why I nuzzle your brush every morning because
you’re in there just like the dog the night
we unpacked the hospital bag and he skipped
and whimpered when Dad put on the red
sweater Cover my bald spot will you
you’d say and tilt your head like a parrot
so I could fix you up always always
till this one night when I was reduced to
I love you little friend here I am my
sweetest pea over and over spending all our
endearments like stray coins at a border
but wouldn’t cry then no choked it because
they all said hearing was the last to go
the ear is like a wolf’s till the very end
straining to hear a whole forest and I
wanted you loping off whatever you could
still dream to the sound of me at 3 P.M.
you were stable still our favorite word
at 4 you took the turn WAIT WAIT I AM
THE SENTRY HERE nothing passes as long as
I’m where I am we go on death is
a lonely hole two can leap it or else
or else there is nothing this man is mine
he’s an ancient Greek like me I do
all the negotiating while he does battle
we are war and peace in a single bed
we wear the same size shirt it can’t it can’t
be yet not this just let me brush his hair
it’s only Tuesday there’s chicken in the fridge
from Sunday night he ate he slept oh why
don’t all these kisses rouse you I won’t won’t
say it all I will say is goodnight patting
a few last strands in place you’re covered now
my darling one last graze in the meadow
of you and please let your final dream be
a man not quite your size losing the whole
world but still here combing combing
singing your secret names till the night’s gone
HERE - Paul Monette
here I have your watch in the top drawer
which I don’t dare wear yet help me please
the boxes grocery home day after day
the junk that keeps men spotless but it doesn’t
matter now how long they last or I
the day has taken you with it and all
there is now is burning dark that only green
is up by the grave and this little thing
of telling the hill I’m here oh I’m here
Paul Monette, excerpt from “HERE“
n. the unsettling awareness of your own heartbeat, whose tenuous muscular throbbing feels less like a metronome than a nervous ditty your heart is tapping to itself, the kind that people compulsively hum or sing while walking in complete darkness, as if to casually remind the outside world, I’m here, I’m here, I’m here.